This work emerges out of the long-term network practice of artist Isabelle Jenniches who has worked in a wide variety of creative net-based activities. The particular piece, "The Call" is one of several process-oriented works that she has initiated that depends on the network availability of generic user-controlled web-cams. The works are constructed over a long period of time -- time spent watching the selected scenario, remotely -- life-time spent observing the world. Thousands of images are made during a methodological process of deep-looking through this mediated network eye. The extended seeing and repetitive digital operations on the thousands of gathered images acts to frame a meditative daily routine. The cumulative practice approaches the classical Zen expression -- "there is no web-cam, there is no PhotoShop, there is only the Void" -- and it arises through the post-Cartesian possibilities of a commonly accessible network interface. Recalling David Hockney's early Polaroid work, "The Call" is an intimate and intense personal vision of a scope rarely manifest in the click-through eye-candy world of the net. (John Hopkins, neoscenes.net)